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Matching the tempo of the component songs is crucial, but equally important is matching the songs keys. Even if your mashup is perfectly in sync, if the component songs are out of key with each other, it will sound quite jarring. Ideally, all the songs would be in the exact same key, although there are different levels of compatibility between keys that make it possible to combine different keys.

207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 Ibid, p 31 Ibid, p 37; Cambridge Economic History of Europe, op cit, vol II, p 184 Ibid, p 68; Cambridge Economic History of Europe, op cit, vol II, p 160 Pirenne, op cit, p 148 Ibid, p 98; Cambridge Economic History of Europe, op cit, vol II, p 181 Pirenne, op cit, p 102 Cambridge Economic History of Europe, op cit, vol II, p 236 Munro, D C The Middle Ages New York: The Century Co, 1921 p 309 Noonan, op cit, p 34 Parkes, J W The Jew in the Mediaeval Community London: The Soncino Press, 1938 p 34 deRoover, op cit, p 312 Cambridge Economic History of Europe, op cit.

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As the next stage in the MLP model, the rows of the matrix indicate the linear combinations of the hidden-layer outputs (and thus of the columns of the matrices) that are important in determining the various class labels. However, an inspection of the matrix, for either model, indicates a complex pattern involving all of the hidden-layer units.

, vol II, p 306 Pirenne, op cit, p 137 Thorndike, op cit, p 343 Cambridge Economic History of Europe, op cit, Vol II, p 135 Ibid, p 160 Ibid, p 165 Pirenne, op cit, pp 68 83 Cambridge Economic History of Europe, op cit, vol II, p 301 Ibid, p 126 deRoover, op cit, p 51 Cambridge Economic History of Europe, op cit, vol II, p 141 Pirenne, op cit, p 127 Cipolla, C M Money, Prices and Civilization in the Mediterranean World Princeton: Princeton University Press, for the University of Cincinnati, 1956 pp 64 66 Hazlitt, W C The Venetian Republic London: Adam and Charles Black, 1900 Vol I, p 349 Pirenne, op cit, p 131 Knight, M M Economic History of Europe at the End of the Middle Ages.

The easiest way around trying to find a compatible key for your vocals is to simply find a vocal with no key at all. Because most rap has no key, it will combine readily with backgrounds of any key. Many beginning mashup producers find initial success working with rap acapellas, and I recommend them for learning mashup basics without worrying about key issues. In fact, due to the ease of layering rap pellas, there is an amazing proliferation of Missy Elliot, Eminem, and Beastie Boys mashups. Of course, if there is a singing break in the rap, or the rapper is using the popular style of rap that is half-sung, you will need to treat the song the same as a non-rap song, determining the key and matching it appropriately.

I n order to improve the interpretability of the matrix, we have employed a weight elimination penalty term (see note 6, p. 64). This implementation, unlike the

Boston and New York: Houghton Mifflin Co, 1926 p 116 Cambridge Economic History of Europe, op cit, vol II, p 334 Ehrenberg, Richard Capital and Finance in the Age of the Renaissance Tr H M Lucas London: Jonathan Cape, 1928 p 57 Noonan, op cit, pp 122, 172 deRoover, op cit, p 11 Noonan, op cit, p 122 Information on thirteenth- and fourteenth-century Venice is principally derived from Gino Luzzatto, I Prestiti della Repubblica di Venezia Nei Secc XIII XV in Documenti finanziari della Repubblica di Venezia (Padova, 1929), Series III, Vol I; and from unpublished notes of Professor F C Lane, of Johns Hopkins University Cambridge Economic History of Europe, op cit, vol II, pp 191, 338; also Pirenne, op cit, p 173 Cambridge Economic History of Europe, op cit, vol II, pp 215 216..

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Before you can start matching the keys of your songs, you need to figure out what keys they are in. This is not as simple as determining the tempo, and there are a variety of techniques available. You can try to determine the key by ear, or by using ACID s built-in piano or the wav files provided on this book s CD-ROM. If you are having difficulty using either the piano or the chord files, you can also use the provided tONaRT software to attempt to automatically detect the key.

231. 232. 233. 234. 235. 236. 237. 238. 239.

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