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The prototype of the R/C digital camera project was installed underneath the sailplane or glider. Initial flight tests used a cardboard box instead of a real camera. The test box should be weighted with the approximate weight of the camera/interface assembly to establish a center of gravity and to see the effect on the aerodynamics or handling characteristics. The box was taped under the sailplane, and was tested with different box positions. Two configurations seemed to work best. First, the test box was used with the simulated camera pointing downward. In this test, it was determined that there was a reduction in glide but handling was safe; see Fig. 18-4. In the next best configuration, the simulated camera was pointed sideways. This produced good handling and good glide performance; see Fig. 18-5. A Futaba five-channel R/C control system is used for this project; other systems such as Hitec or Multiplex could be used. The prototype R/C system is used to control ailerons, elevator, spoiler, rudder, and the camera interface. You could also get by with a four-channel system, with a bit less control. Simply refer to the receiver documentation to determine the pinouts of the receiver. Once a free servo port channel is determined, you will need to

Some oscillators work at audio frequencies, and others are intended to produce radio signals. Most generate sine waves, although some are built to emit square waves, sawtooth waves, or other waveshapes. The subject of oscillators, once you understand amplifiers, is elementary. All oscillators are amplifiers with positive feedback. In this chapter, radio-frequency (RF) oscillators are discussed in some detail, and then audio oscillators are examined. In radio communications, oscillators generate the waves or signals, that are ultimately sent over the air. For data to be sent, the signal from an oscillator must be modulated. Modulation is covered in chapter 26. Oscillators are used in radio and TV receivers for frequency control and for detection and mixing. Detectors and mixers are discussed in chapter 27. Audio-frequency oscillators find applications in such devices as music synthesizers, FAX modems, doorbells, beepers, sirens and alarms, and electronic toys.

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Feedback can be in phase or out of phase. For a circuit to oscillate, the feedback must be in phase, or positive. Negative feedback (out of phase) simply reduces the gain. The output of a common-emitter or common-source amplifier is out of phase from the input. If you couple the collector to the base through a capacitor, you won t get oscillation. The output of a common-base or common-gate amplifier is in phase with the input. But these circuits have limited gain. It s hard to make them oscillate, even with positive feedback. Common-collector and common-drain circuits don t have enough gain to make oscillators. But take heart: There are lots of ways to make circuits oscillate. Obtaining oscillation has never been a problem in electronics. Public-address systems do it willingly enough!

obtain a connector to mate the free servo port channel output in order to make a cable from the receiver to the STAMP 2 interface. This camera control channel is then fed to P14, so the STAMP 2 can interpret the incoming receiver pulses. The other receiver channels are coupled directly to the respective servos for airframe control. The R/C digital camera project was tested with three different digital cameras, but other cameras will work. The prototype was tested with the Olympus models C400L, D340, and C840L cameras, all of which are based on the Fujitsu chip set. When wiring the cameras, be sure to take time to carefully determine the correct wiring to avoid damage to the cam-

For a circuit to oscillate, the gain must be high, the feedback must be positive, and the coupling from output to input must be good. The feedback path must be easy for a signal to follow. The phase of a fed-back signal can be reversed without any trouble, so that common-emitter or common-source amplifiers can be made to oscillate.

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